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Showing posts with label urban sci-fi. Show all posts
Showing posts with label urban sci-fi. Show all posts

Thursday, 4 February 2016

BLAST FROM THE PAST: 'GIRL & ROBOT' BY ALEXI K ( 2006 )

We thought the colour scheme of this analog-to-digital sketch ( done in 2006 ) would go quite nicely with the current 'UltraViolet' edition of this blog...

CONTINUE SCROLLING FOR THE 2016 ELECTRONIC ROCK SPECIAL EDITION!


Thursday, 17 September 2015

ELECTRIC DREAMER: SOUNDTRACK TO A FUTURE PAST WITH CODE ELEKTRO!




William Gibson's short story 'The Gernsback Continuum' brilliantly encapsulated what has become common currency in the realm of science fiction and the popular imagination: The idea of a 'future that didn't happen'. In that instance, it recalled the 'art deco futuroids' of a 1920s/30s-envisioned future, like the ones written about in pulp mags such as Thrilling Wonder Stories and Astounding Tales. 

Gibson was again ahead of the curve, because now that we are actually living in a science fiction future, for those creatives who find their own milieu just a tad too dull, they can use their talents to evoke these more romantic 'lost' visions, either in books, films, and more recently, music. Possibly the exemplar of this would be film director Panos Cosmatos ( interviewed here in this blog a while back ), as his visually-stunning film Beyond The Black Rainbow not only looked like a straight-to-VHS sci-fi chiller, but utilized the Sinoia Caves soundtrack to force the effect of a temporal dislocation upon the bewildered viewer.

Alongside Sinoia Caves, other artists such as Pilotpriest, and even the film director and synth maestro John Carpenter himself, have released quasi-soundtrack albums of neon-soaked, rainy eighties fantasias. 
So, with this concept now firmly entrenched in pop culture, Future-Rocker talks to Danish newcomer, Martin Ahm Nielsen - aka CODE ELEKTRO - about his music, and the need to go 'back to the future'. We also debut Cyber Dreams, his stunning promo video, too.

So Martin, who - or what - is 'Code Elektro'..?

Code Elektro is my electronica “band” where I’m the only member. The genre is a mix of synthwave and modern electronica. This year I've released my first album with ten tracks on vinyl, download and stream. The title is Superstrings. And it has been really well received. I didn’t know what to expect before the release, because I started from absolutely nothing. But the reviews have been great – and people from all over the world tell me they like it.




How would you describe your music - futuristic or retro-futuristic?

I would say mainly futuristic. There’s some retro elements, but for the main part, I try to create music that sounds like it’s new. However, I love the synthwave scene and I think there’s a lot of talented artists out there – and it’s great to see how it’s slowly getting more and more attention.

Clearly, your music is very cinematic - do you have visuals in your head when you compose?

Yes. I do that a lot. I find that having a movie or a certain atmosphere in my head can help me create. And I think that you can hear that in my music.

What instruments / technology do you use?

My main digital audio workstation is Cubase Pro 8 on the Mac. It’s the program you record in on your computer, similar to Garage Band and Protools. And for plugins I use U-he, Omnisphere, Retrologue, Padshop, Kontakt, TAL-U-NO-LX and all the synths from Arturia. I also have a few hardware synths – I used the Moog Sub Phatty the most.

What are your favourite albums, books or movies? From your music I can detect certain reference points. 

If I did an all-round science fiction Top 5 list it would be something like this:

1.    The Incal (Jodorowsky/Moebius)
2.    Blade Runner / Vangelis
3.    The Matrix (the first one)
4.    TRON: Legacy / Daft Punk
5.    Neuromancer (William Gibson)

Honorary mentions would have to go to John Carpenter, Alien, Terminator 1+2, Moon, The 5th Element, Stargate, Philip K Dick, TRON, Starship Troopers, The Cyann Saga, Trent Reznor, Jean Michel Jarre, Deus Ex and many more...

So, given all those influences, what movie would you love to do the soundtrack to?

Blade Runner and TRON: Legacy have fantastic scores – and I would love to have worked on them. But they're awesome because of Vangelis and Daft Punk…and I think they did a great job because they are who they are. Also the movie Beyond the Black Rainbow has an incredible synth score. And of course ( Swedish martial arts and eighties homage movie ) Kung Fury!

What do you see Code Elektro doing in the future? Concerts, movie scores, CD releases..?

Right now there’s a lot of work in promoting the album and the new music video…also I’m sending out vinyl all the time! Which is great fun…but yes…there’s a few new plans taking form. Too early to say more about it..!


Sounds interesting! Until then, check out CODE ELEKTRO's beautiful new promo video:






Tuesday, 27 January 2015

KICKSTARTER COMICBOOK: METAL MADE FLESH - interview with co-creator JEREMY BIGGS

‘You have to ask yourself – Why should a backer, back this project?’


Anyone who has loved comics or science fiction will at some point attempt to draw their own comic-book or fantasy art. Most will realise how hard it actually is, especially when they come up against the astonishing array of talent in the industry. The persistent ones will take it up as a career choice, with the ultimate aim of one day getting published. Now, with the global reach of the internet, a new breed of comic-book creator can take their destiny into their own hands, source funding, and publish it themselves - with the benefit of total creative freedom. 

We talk to Jeremy Biggs, co-creator behind the hit kickstarter 'comic-novella' METAL MADE FLESH, to find out the advantages and pitfalls of doing it yourself.

- Jeremy, explain the genesis of METAL MADE FLESH.

The original creator of the world Tuaoni is Simeon Aston – the illustrator. It's kind of a unique arrangement, in that Sim came up with the design for the world and the character ideas and had one story fully finished before I met him. Since we worked together I've added little touches and characters here and there, but I always defer to him if there's somewhere we have to make a big decision about the world.

Metal Made Flesh is three short stories set on the same world. “Flesh” was the first published and that was based on a plot by Simeon. I came up with the story for “Made”, based upon a character idea from Simeon from an earlier story. “Metal” was written very collaboratively, with both of us pitching ideas to each other.



- How did you both meet?

I met Sim at a comic convention in 2012 where I was working with a company producing audio dramas. I had a small comic of my own that I was really trying to gauge reaction to, also. I saw Sim's work and was blown away and thought I just had to work with him. Prior to that I had been working in Sound Design and had just completed a Zombies in Africa film - “The Dead.”

- For people who haven't yet seen the books, give us the basic outline.

Humanity has been brought to the brink of extinction by a hostile force, the Veul, and they have taken refuge on a backwater “den of vice and iniquity” - the cyberpunk city world of Tuaoni. There they must survive against impossible odds as the lowest of the low in the crime filled streets of the city's notorious “Strip”.

‘One big influence on the story was Bangkok in Thailand’


- It looks very cinematic. What books, movies - or other formats - have inspired it?

Bladerunner is a big influence – Ridley Scott and H.R. Giger's influence is all over Simeon's artwork. Ghost in the Shell, Neuromancer, Judge Dredd, Akira, Hardware, The Fifth Element (and The Incal on which it was, ahem, “based”), Polanski's Chinatown I guess. Oddly enough, Game of Thrones has been an influence in that there's a series of overlapping storylines that are focused around individual characters.
One big influence on the story from both Sim and I, was Bangkok in Thailand, where we'd both travelled. The aesthetic of that place – and Hong Kong definitely feeds into the feeling of “The Strip” where all the action takes place.

- Is the story part of an ongoing cycle?

Metal Made Flesh is a series and is the introduction to the world and the main characters. We also produced a short comic follow up - “Infection”, which was really for the “fans” to show how the three stories link up, and pave the way for the follow up which we're working on at the moment.

- The project looks beautiful enough to have been picked up by a major publisher, yet you choose to go independent, and get funding through Kickstarter.

For us, the illustrations are integral to the whole story – they give you information about the world that frees up the narrative to be fast paced and, in places, almost impressionistic in tone – but for publishers, they tend to view illustrated novellas as bit of a risk we found.
They're not quite novels, not quite comics, so, although we haven't gone all out to pursue anyone yet, we thought it was wise to do this independently at first until we've built up enough of a fan-following that we'll be in a stronger position to knock on some doors. EL James is a great example of that with 50 Shades of Grey, where she built up a large viral following, then had publishers come after her.
Having said that, if any publishers come knocking on our door we'll happily talk to them!

- What do you say to the creatives who are thinking of doing a Kickstarter, but haven't yet galvanized themselves into action?

Creative control is a big plus. We can develop the world more and take more risks in the kinds of stories we want to tell. Monetarily, obviously, we're not sharing the proceeds with a large publisher, but truth be told, anything we make goes back into the world at this stage.
We're actually working on a bible and have already approached a few writers we know are up to the job, to come in and expand the world.

‘In the UK our main outlets have been online and at conventions’

- Getting your book on shelves is key to a publication's success. With a project such as this, how do you handle the practicalities of distribution?

We already have distribution through a niche distributor in the States called “The Distribution Engine” which exclusively deals with UK-based publishers. In the UK our main outlets have been online and at conventions. At some point in the near future we're going to have to bite the bullet and go the ( UK distribution company ) Diamond route though, we think.



- Any other tips for those who are tempted to ‘kickstart’?

Number One tip: Don't underestimate postage. 

Number Two tip: Whatever you do. DON'T underestimate postage.

It's a terrifying thought if you ever complete a Kickstarter and then realise that the bulk of your Kickstarter backers are based on the other side of the world. Postage is a significant amount of your total...

Other than that, Kickstarters should have a clear idea of what you're trying to achieve, then consider it from a backer's point of view. You have to ask yourself – what makes you different from anyone else? Why should a backer, back this project? Make it unique and don't just jump on a bandwagon unless you can bring something which is different.
Work hard, and be prepared to contact as many blogs as you can – not just to promote yourself – but because it's good to have feedback from people who are actively writing around the medium. It's not all about you. 

As altruistic as backers are, they also appreciate high quality rewards, and they deserve them too.

- Nicely said, thanks, Jeremy!


EXIT TO THE GIFT SHOP!

You want the METAL MADE FLESH hardback deluxe edition? Or a beautiful t-shirt? 

Then what are you waiting for? - Pledge your allegiance here.





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ALEXI K: BRIGHT LIGHTS, GLITCHED CITY ( BIRMINGHAM PORTFOLIO )

Your editor here - In between painting, drawing, writing blogs, networking, talking, and procrastinating, it's easy to forget that I am also a avid photographer. To round off this edition of FUTURE-ROCKER, here's a look at some of my 'glitched' photography, inspired by science fiction books and movies, and taken while on walkabouts around Birmingham, the UK's 'second city'.


Below: The Rotunda and Bullring




Below: Bullring Shopping Centre at night




Below: Info-obelisk at Moor Street




Below: Bloc Hotel, Jewellery Quarter



Below: Google Earth's failed rendering of The Custard Factory and South Birmingham College




Below: Glitched Hannah, local model.




Below: Smallbrook Queensway, as seen from Radisson Blu Hotel.




Below: Smallbrook Queensway, as seen from Radisson Blu Hotel.




Below: Info-obelisk at Moor Street




Below: Natural glitch at Snow Hill Station.




Below: Glitched Becky.




Below: Bullring Shopping Centre




Below: Smallbrook Queensway




Below: Smallbrook Queensway




Below: Incredible glitch of wall mural at HUBB ( original art by Mohammed Ali / Aerosol Arabic )




Below: Birmingham's 'Interstellar' bus service.



All photographs property of Alexi K

Note: The most glitchy of the above glitches are accomplished using WORDPAD. You have ZERO control over how they will turn out, other than to alter them after they've been glitched, using the art software of your choice. But give it a go...here's my guide:

HOW TO GLITCH IT:

1 ) Go through your archives, get a photo ( architectural ones work well ) and convert it to a bitmap.
2 ) Open it in WORDPAD, ( open > click rich text format > all documents ) then click on your file ( it'll appear on Wordpad as code ).
3 ) Press 'Save'.
Some people play with the code or delete bits before saving, but I find just pressing 'Save' is as good.
4 ) Go back to Photoshop to view the results...and hope for the best!

Don't get depressed if most look rubbish...occasionally it'll come out great!

AKIRA: RUAIRI ROBINSON'S PRODUCTION ART...and PROMO CLIP!

BONUS FEATURE!

As you will have seen, this edition of FUTURE-ROCKER features both classic and new anime / science fiction comic-book properties. With that in mind, we take a tantalising look at the art - and promo reel! -  created for the now-shelved live-action production of AKIRA. Even though Katsuhiro Otomo's epic is surely the greatest manga comic of them all, it has - as yet - not had any luck in achieving a live action remake. 

Nevertheless, enjoy this awesome promo material by acclaimed Oscar-nominated short film director, Ruairi Robinson.


All art and video, property of Ruairi Robinson.

Below: Kaneda's famous bike



Below: Street shot, before and after VFX




Below: The ESPer appears!




Below: Neo-Tokyo E-X-P-L-O-D-E-S




And here it is folks - the promo clip: A mood-short assembled from other epic genre movies, and offering brief glimpses of actual AKIRA LIVE-ACTION TEST FOOTAGE, it's pretty compelling stuff...

...for the next four and a half minutes, DON'T BLINK or you'll miss the best bits!




For RUAIRI ROBINSON'S WEBSITE, and even more cool art, go here

Sunday, 11 January 2015

SENTIENCE IS CATCHING: TRENDING NOW IN SCI-FI - AUTOMATA / EX_MACHINA / CHAPPIE

Not-really-a-spoiler: I have a feeling that Melanie Griffiths being an android will be the 'big reveal' in this one..!






Alex Garland, author of The Beach, Dredd and 28 Days Later, directs ( with set design seemingly inspired by Beyond The Black Rainbow ):






Neill ( District 9 ) Blomkamp's latest speculative future epic...starring members of Future-Rocker-approved music act Die Antwoord:




JUST ADDED!



Click here to get to Ash Thorp, Stephany Folsom, and all the recent articles, including Ruairi Robinson's Akira test footage.


Wednesday, 25 June 2014

32 TODAY! See BLADERUNNER in six minutes, here!

Ridley Scott's landmark - and career-defining - film, was not a hit when it was originally released in 1982. Too slow and ponderous for the action blockbuster crowd, it suffered from bad word-of-mouth arising from film-goers who had been led to expect a gung-ho action movie in the wake of Star Wars, and Scott's previous hit, Alien. It wasn't until late-night re-runs on TV, that it slowly began to gather momentum and attract a fanbase. 

Things came to a head in 1990, when a 'workprint' of the film ( the original cut without the expository Raymond Chandler-style voiceover ) was accidentally released for a one-off cinema screening. The resultant positive response prompted the studio to re-release the 'director's cut', first on the arthouse cinema circuit, and then later on home video.

With its visually-arresting cinematography and art direction, and with a score by electronic music genius Vangelis, the film now rightly appears in all-time 'best movie' lists.

Below is a beautiful edit of some of the film's key scenes, cut to a soundtrack of New Order's Blue Monday, assembled from cover versions by Orgy, Zook, Cliff Martinez and Chemical Brothers. 

If you haven't seen the movie, this will very much whet your appetite, and if you have seen it, what better way to have a quick refresher of Scott's singular vision of the future?


Audio: LEE DM101
Visuals: THE REBORN IDENTITY. 

Play loud, and with headphones.

Note: Contains spoilers.


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Archive: BBC Radio 4, Summer 2014

The Two Georges ( biographical comedy drama based on Philip K Dick's life )

BBC Radio 4 'Dangerous Visions' Homepage

Thursday, 29 May 2014

SUMMER TUNES feat. DIE ANTWOORD, SKRILLEX and NEW DEATH METAL STAR RACHEL ASPE!

DIE ANTWOORD - PITBULL TERRIER

Cape Town seems to be the place to be at the moment for dusty, decayed Urban Sci-Fi environments ( as seen in the movies District 9 and Dredd ). Here's the latest video from South Africa's rap-rave duo Die Antwoord ( Afrikaans for 'The Answer' ). Stunning, creepy, and definitely not for the nervous. Contains disturbing imagery and profanity.





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SKRILLEX - RAGGA BOMB


The new video from dubstep wunderkind SKRILLEX has a grimy post-apocalyptic look, and if it has a familiar District 9 look to it, it may be because it was shot in Alexandra township, Johannesburg, South Africa. 

Enjoy the brain-melting electronic rocknroll, and make sure you stick around for the fabulous lightsabre duel.






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A HEAVY METAL STAR IS BORN - ON SIMON COWELL'S FRANCE HAS GOT TALENT!

''She sounds like the girl from The Exorcist!''

Future Rocker found this incredible clip entirely by accident, while browsing ground-breaking female metal singers like Dawn Crosby and Sabina Classen on YouTube. Lifted from the Simon Cowell franchise La France a un Incroyable Talent, and with four million page views and counting, after this performance we think Rachel Aspe's debut album could be the biggest-selling extreme metal record since Slipknot first appeared...

'Hello madame, where are you from?'

- 'Grasse.'

'And what is your talent?'

- 'I sing.'

 


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UPDATE - VIDEO AND PRESS RELEASE!


Just over a year ago, Rachel joined the established French groove metal band ETHS, and in March of this year, they released a new EP, full details below.



New EP EX UMBRA IN SOLEM

Having finally completed an extensive tour in support of our latest album III , we recently recorded an EP with our new vocalist Rachel Aspe. The new release is entitled Ex Umbra In Solem and will come out on March 14th.  

The title-track of Ex Umbra In Solem is a brand new song recorded, produced and mixed by our guitarist Staif Bihl himself. It is backed by three classic tracks of the band, recorded live on last October 24th at the Divan du Monde in Paris, mixed by Nikhertz at Studio Phantom. 

Last but not least, the EP includes three songs from the III album, re-recorded with Rachel’s vocals. 

1. Ex Umbra In Solem 
2. Samantha (live) 
3. Bulimiarexia (live) 
4. Crucifère (live) 
5. Voragine (Rachel on vocals) 
6. Harmaguedon (Rachel on vocals) 
7. Proserpina (Rachel on vocals).

Once again, the artwork was created by photographer / designer Nicolas Senegas, who already worked on the art of III and has no equal when it comes to adapt ETHS musical universe into graphic art.   

Ex Umbra In Solem will be strictly limited to 1000 numbered copies on Digipak CD and is available for pre-order on Season of Mist e-shop ( - we checked and they're already out of stock, although still appears to be available on Amazon UK ). Of course, it will also be released digitally.
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...and finally, for the completists, here is the full demo of the song featured on Rachel Aspe's Talent show appearance ( it's actually a cover version of Swiss Industrial Metal band SYBREED's song 'Emma O' )...