Production maestro Klayton ( aka Scandroid, & Celldweller ), talks us through how he went back to the 90s for his industrial outfit CIRCLE OF DUST's 2016 resurrection.
And here is the result...
Album review soon!
Sunday, 18 December 2016
Wednesday, 14 December 2016
MONA LISA OVERHAUL - NEW EDITIONS OF THE CYBERPUNK CLASSICS
William Gibson's groundbreaking early novels finally get a UK make-over.
Book cover art by Daniel Brown / Design by Sinem Erkas
Here at Future-Rocker's headquarters we have long bemoaned the appalling state of many sci-fi book covers. Luckily, some progressive-minded art directors realise that a strong font or an enigmatic cover can provoke the imagination, rather than give the viewer everything on a plate.
Daniel Brown's cover art perfectly captures the feel of 'The Sprawl' ( the vast megacity of Gibson's novels ), yet also reminds us that there are places on earth right now that already look like this.
Daniel Brown's cover art perfectly captures the feel of 'The Sprawl' ( the vast megacity of Gibson's novels ), yet also reminds us that there are places on earth right now that already look like this.
Sci-fi fans are a conservative lot, so it's always been a risky business not having some lovingly-airbrushed interplanetary vista or 'cool'-looking reject from an 80s rock video adorning the cover. Sadly, the 80s rock analogy held sway over Gibson's oeuvre here in the UK for what seemed like decades.
We haven't read the novels since the old days, but were discussing round the office if it's worth digging the classics out to see if they hold up. The new editions give us a reason not to have to crawl around in our dusty old vaults looking for them. We can just order these brand-new editions from Amazon and enjoy the Inception-like cover vibe and collectability, thus saving ourselves the hassle. With the first of them, Neuromancer, being released this December, it's just in time for Christmas. Hell, we'll even pay extra for a drone to fly it down the chimney.
Neuromancer was published in mass market paperback 8th December 2016, Burning Chrome, Count Zero and Mona Lisa Overdrive will be published in mass market paperback, 9th February 2017.
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THE FUTURE AIN'T WHAT IT USED TO BE...
Hey, don't get us wrong, we actually love these classic 80s covers...
It's the goddawful 90s Gibsons we have a problem with...ugh!
PENGUIN GALAXY EDITIONS: COVER DESIGNS BY ALEX TROCHUT
One of the most notable releases of 2016 was this collection of beautiful hardback volumes from the sci-fi and fantasy pantheon, including Dune, Neuromancer and 2001: A Space Odyssey. The covers are unified by a series of inventive font designs by acclaimed illustrator and typographer Alex Trochut.
Covers, left to right:
The Left Hand Of Darkness - Ursula K. Le Guin; Dune - Frank Herbert;
2001: A Space Odyssey - Arthur C. Clarke; Neuromancer - William Gibson;
Stranger In A Strange Land - Robert A. Heinlein; The Once And Future King - T.H. White.
You can purchase these books individually for £15.69 ( UK ) or $21.50 ( US ). If you want the spectacular box set, don't buy from Amazon UK, get it at the considerably cheaper price of $158.78 on AMAZON.COM.
FOR MORE SCI-FI BOOK DESIGNS, KEEP SCROLLING
CIRCLE OF DUST, RECOMMISSIONED
Hugely prolific Detroit-based electronic musician Klayton ( also known as Celldweller ) has released a new video for his resurrected 90s industrial project CIRCLE OF DUST.
CoD was originally put on ice due to complicated legal disputes with a former label, in response to which, Klayton went on to form CELLDWELLER and grow his thriving label FIXTMUSIC to produce and market his own music ( as well as that of other acts such as Blue Stahli, The Qemists and The Algorithm ).
Recalling surrealist pioneer Louis Bunuel's Un Chien Andalou, and Shinya Tsukamoto's horrifying 90s cyberpunk body-horror movie TETSUO, the video perfectly captures the aesthetics of 90s industrial music, as performed by bands like Die Krupps, KMFDM, and Schnitt Acht.
CoD was originally put on ice due to complicated legal disputes with a former label, in response to which, Klayton went on to form CELLDWELLER and grow his thriving label FIXTMUSIC to produce and market his own music ( as well as that of other acts such as Blue Stahli, The Qemists and The Algorithm ).
Recalling surrealist pioneer Louis Bunuel's Un Chien Andalou, and Shinya Tsukamoto's horrifying 90s cyberpunk body-horror movie TETSUO, the video perfectly captures the aesthetics of 90s industrial music, as performed by bands like Die Krupps, KMFDM, and Schnitt Acht.
Circle of Dust has remastered and re-released it's entire back catalogue, culminating in a brand-new 2016 album, Machines of Our Disgrace. This track is taken from that album.*
*There will be a comprehensive overview of FIXT's recent output on this blog soon.
BILLY IDOL'S SHOCK TO THE SYSTEM (1993) inspired by TETSUO: THE IRON MAN (1989)
TOTALLY RECALLING BRITISH ROCKER BILLY IDOL'S CYBERPUNK PHASE
Directed by cult sci-fi / horror director Brett Leonard ( The Lawnmower Man / Virtuosity ), the Billy Idol promo is both a synchronous mix of real-world events and an anticipation of a tech-based dystopia that predicts the anarchic Los Angeles of the 2020s.
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The opening scene of SHOCK TO THE SYSTEM promo video (from the 1993 album Cyberpunk) is an obvious reference to the brutal beating of Los Angeles citizen Rodney King by the LA police. The incident had been caught on camera, and resulted in world-wide condemnation of the LAPD's tactics and abysmal community relations (King was African American and the incident brought the LAPD's institutional racism under intense scrutiny). In a highly-publicised court case, the officers involved were acquitted, sparking six days of violent unrest, causing over two-thousand injuries and 63 deaths. Scenes of shotgun-toting Koreans guarding their storefronts, and truck drivers being dragged from their cabs, were broadcast all around the world as the neighbourhoods burned.
Above: Japanese album cover for CYBERPUNK. An example of early Photoshop glitch art.
While it may seem obvious now that breakthroughs in compact tech such as hand-held movie cameras would revolutionize daily life and transform regular people into vérité filmmakers and citizen reporters, at the time this was still somewhat of a novelty - and perhaps, to authoritarian regimes around the world - not a beneficial one (Kathryn Bigelow's 1995 future-noir Strange Days is a good depiction of when tech goes horribly wrong).
With voyeurism, extortion, narcissism and violence now part of our daily media consumption in the Twenty-First Century, early cynics might have been proved right.
As well as the real-world events, the promo echoes the contemporaneous Cyberpunk literary movement, and was seen against a backdrop of big studio films such as Paul Verhoeven's Robocop (1987) and Total Recall (1990), as well as the more 'body horror' output of cult director David Cronenberg's Videodrome (1983).
Despite all these cross-pollinating influences, what seems to have been forgotten (or deliberately ignored) is that Shock To The System owes its entire central idea - that of the protagonist transforming into a chaotic cybernetic lifeform - to the notorious live action Japanese movie Tetsuo: The Iron Man (1989).
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TETSUO: THE IRON MAN - TRAILER
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Tetsuo - in the eyes of Western audiences - benefitted from being adjacent to the blockbuster Japanese anime, Akira (1988), which preceded it. Though unrelated, both coincidentally feature a character named Tetsuo who undergoes a hideous series of mutations.
Directed by innovative and transgressive filmmaker Shinya Tsukamoto, Tetsuo: The Iron Man, and its sequels Tetsuo II: Body Hammer (1992), and Tetsuo: The Bullet Man (2010), both repelled and enthralled VHS collectors and arthouse movie-goers alike, with its highly kinetic mix of vertiginous photography, stop-motion animation, visceral violence and pounding industrial music.
British punk rocker Billy Idol, then living in LA, was voraciously absorbing Cyberpunk culture, and would definitely have been aware of Tsukamoto's film and been influenced by it.
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TETSUO II: BODY HAMMER - TRAILER
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Above: Sleeve art for Billy Idol's Shock To The System 7'' UK single.
In terms of themes and content, perhaps if they were aware of these disparate influences, a sensitive resident of the Twenty-First Century may be offended by the referencing of the Rodney King incident, or of Shinya Tsukamoto's violent and controversial imagery.
Luckily in the Nineties, the vast majority of the audience were still able to accept speculative and 'what-if' concepts in good faith, and not look to score social points by dishonestly taking wild and antisocial portrayals of fictional characters and superimposing those onto the character of the creators.
Above: SHOCKUMENTARY VHS cover art.
Ultimately, despite the album's poor reception, Cyberpunk is notable in its use of electronic media in marketing, as Billy Idol was an early adopter of email as a way to facilitate a more direct contact with fans, and the hard copy of the CD also included bonus multimedia content written onto the disk. Both of these anticipated trends that would become common in music sales well into the Noughties.
It would take several years and the invention of new technology like Youtube to bring Billy to the attention of a whole new generation of fans. They probably won't see the divide between Billy's 'classic' sound, and the more 'experimental' sound of Cyberpunk, they'll enjoy both on their own terms. Perhaps they'll also research the influences and events that made the album happen, and discover that Shinya Tsukamoto's disturbing filmmaking was once something you might see at the local multiplex on 'art cinema night.'
Creators have benefited from a technology becoming ever more sophisticated and affordable, ultimately bringing us closer to the realities depicted in William Gibson's dystopian novels Neuromancer and Count Zero, prophetic books that established 'Cyberpunk' as an endlessly imitated subgenre for years to come.
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TETSUO II: BODY HAMMER - TRAILER
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TETSUO III: THE BULLET MAN - TRAILER
MORE CYBERPUNK? WE GOT IT
'KINDRED' SPIRITS: MORE COLLECTABLE SCI-FI
In the past we've loved the wacky pixel-heavy covers that adorned Philip K Dick's catalogue during the nineties, under the US imprint Vintage Books.
However, we have to admire the recent very cool, and understated, PKD covers on the Mariner Books editions, also in the US ( a nice change to see his initials boldly taking up the space on the cover: 'PKD' is how fans refer to him ).
However, we have to admire the recent very cool, and understated, PKD covers on the Mariner Books editions, also in the US ( a nice change to see his initials boldly taking up the space on the cover: 'PKD' is how fans refer to him ).
CLICK HERE TO SEE MORE GREAT SCI-FI ART: SANDA ZAHIROVICH'S BRILLIANT 'GOLLANCZ SPACE OPERA' COVERS, AS FEATURED ON MONOBLOG.
Tuesday, 13 December 2016
'SHOUT' : SCANDROID'S TEARS FOR FEARS COVER
The album arrived at our HQ this week ( review coming soon ), and brilliantly captures that 80s Sci-Fi vibe, and then some.
Monday, 28 November 2016
Tuesday, 22 November 2016
A SET-LIST OF 'SUBSTANCE'
Photo: Peter Hook / Twitter
A few minutes ago Peter Hook Tweeted a photo of the set-list from last night's gig ( at The Orange Peel, Asheville, North Carolina ).
'Substance' is the title of both NEW ORDER and JOY DIVISION's landmark compilation albums, ( released August 1987 and July 1988 respectively ), and so the above list is inevitably a mouth-watering prospect for fans of both bands.
Here at Future-Rocker, we love how Hooky has become a confident and commanding frontman and lead singer, and we definitely appreciate the rocking live versions of his bands' classic songs.
Below: Peter Hook & The Light live in Mexico City, September 2013
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